A photograph of the Negro String Quartet. The photograph features four men sitting in chairs positioned in a semi circle around two music stands. The men are all dressed in suits. The men from left to right are: Felix Weir, Marion Cumbo, Hall Johnson, and Arthur Boyd. The photograph isin a green/gray paper frame. A stamp on the front of the paper frame reads: [S. Tarr / 164 West 125 St. / NY]. The back of the frame is blank.

Gospel Hymns No. 2, by P. P. Bliss and Ira D. Sankey, Harriet Tubman’s personal book of hymns.Book of hymns by P.P. Bliss and Ira D. Sankey, 112-pages, discolored cover with black printing, text and binding. Text reads "Gospel hymns No. 2, BY PP. BLISS AND IRA D. SANKEY AS USED BY THEM IN GOSPEL MEETINGS."

This black corset and pink ruffled skirt were designed by Donna Langman and worn by Denyce Graves as the lead in the Washington National Opera's production of Carmen during the 1993-1994 season. The corset (a) is made from black silk satin and is sleeveless and strapless. A loop of black woven cotton tape is sewn at the top of both sides with black beaded decoration covering the tape and black beaded fringe hanging below it. These beaded pieces are worn draped across the upper arm, not over the shoulder. The corset closes at the center back with a black metal zipper and one (1) hook-and-eye at the top of the zipper. The interior of the corset is lined with a black silk and cotton floral brocade. The seams are pressed open and serged along the raw edges. Flexible boning covered in black ribbon with a woven floral design is hand sewn to the interior to provide stiff shaping. There are sixteen (16) long pieces of boning around the corset and two (2) shorter pieces of boning sewn one at each front side where the arm meets the chest. A cream fabric label is sewn at the interior proper left back with embroidered and handwritten black text reading "Donna Langman / Denyce Graves [handwritten] / new york". Hanger loops made from the black floral ribbon are sewn at each interior side.The skirt (b) has tiers of pink iridescent silk taffeta ruffles cascading down the front. A single pink taffeta ruffle runs around the entire bottom of the skirt, which is longer in the back with a slight train. The waist and the back of the skirt are faced in a fuchsia synthetic satin fabric. This fabric is covered on the skirt by a black velvet overlay that wraps around the sides and ends in a v at the center front waist. The velvet is sewn to the skirt around the waist and is tacked around the length of the skirt where the fuchsia fabric meets the pink taffeta ruffle. A length of black lace is sewn around the top edge of the velvet overlay, which resembles a long scarf or shawl wrapped around the waist of a Spanish flamenco style skirt. The skirt closes at the center back using a pink plastic zipper with one (1) metal snap and one (1) metal hook-and-eye. An additional black metal invisible zipper is sewn at the center back of the black velvet overlay, covering the pink metal zipper when closed. Buckram is sewn inside the waistband and the hem of the skirt. The skirt is not lined. Two (2) hanger loops made from pink synthetic fabric are sewn one at each interior side waist.

A song and story book about Harry Belafonte, titled: [CALYPSO SONGS]. The cover features red and green letters at the top, a black and white photograph of Harry Belafonte at center left, and drawings of drums, maracas, and banjo at center right. Black type in a circle at the bottom lists the songs included in the song book. The back cover features a larger black and white photograph of Belafonte.

This image depicts musician Nina Simone sitting at a piano. Sitting sideways to the viewer at a piano, a microphone is set up in front of her. Her hands are posed on the keys of the piano. She wears a silky, long sleeve dress with jeweled buttons at the cuffs, and a sparkly headband.

A silver trumpet with three mother-of-pearl inlaid valves and bent bell. "PUDGY by DeNicola" is inscribed on the bell.

A black and white photograph of Sam Cooke and an unidentified woman seated at the bar at Club Harlem in Atlantic City, New Jersey. His right hand is around her waist and they are both smoking cigarettes.

An LP vinyl record (2015.103.3a) and jacket (2015.103.3b) of the "We Insist-Freedom Now Suite" performed by jazz percussionist, drummer and composer Max Roach.The LP vinyl record (2015.103.3a) has a black-and-white label, with white writing set against a black background. The type on the front of label reads: [So Far Out/ Side A/ OUT5001LP/ WE INSIST!/ MAX ROACH AND OSCAR BROWN, Jr.'s/ FREEDOM NOW SUITE/ DRIVA' MAN (5:10) FREEDOM DAY (6:02)/ TRIPTYCH: PRAYER. PROTEST, PEACE (7:58)]. The reverse side of the label reads: [So Far Out/ Side B/ OUT5001LP/ WE INSIST!/ MAX ROACH AND OSCAR BROWN, Jr.'s/ FREEDOM NOW SUITE/ ALL AFRICA (7:57)/ TEARS FOR JOHANNESBURG (9:36)].The LP jacket (2015.103.3b) features a black-and-white photograph depicting three African American men sitting at a diner counter, with a white man in a white uniform standing behind the counter. The three African American men are looking over their shoulders towards the camera. A menu board can be seen in the top proper-right corner of the image. Black type on front of LP cover reads: [WE INSIST!/ MAX ROACH'S - FREEDOM NOW SUITE/ FEATURING ABBEY LINCOLN/ COLEMAN HAWKINS, OLATUNJI/ So Far Out/ OUT5001LP].