A green velvet dress worn by Lena Horne in the film Stormy Weather (1943). The dress has a gathered waist, buckle-back, and ermine collar. It was worn by Horne as "Selina Rogers" in the dressing-room scene with actor Bill Robinson.

Powder blue derby stanton hat worn by Slick Rick. The hat has a purble cloth ribbon around the side band, covering the original powder blue ribbon. The inside of the hat is unlined and has a black sweatband that covers the shoulder joint. Gold letters are printed on the sweatband that read "Capas Design." There is a logo centered in the interior tip of the hat that features a gold top hat, gloves and cane centered on a black background.

A red beret from an S1W uniform worn by James Amir Muhammad. The beret is made of red felted wool trimmed in black leather around the opening. The fit can be adjusted by tying the length of black ribbon strung through the leather trim. The interior of the beret is lined with black fabric with a manufacturer's tag sewn at the center of the interior crown reading "BANCROFT / Military Caps / MAKERS OF FINE CAPS FOR / OVER 90 YEARS / FRAMINGHAM MASSACHUSETTS". The name "J. AMIR" is handwritten in blue ink at the top left facing corner of the tag. An additional care and fiber content tag is sewn along the side seam of the interior lining.

This dress and belt were worn by Stephanie Mills as Dorothy in "The Wiz: The Super Soul Musical 'Wonderful Wizard of Oz'" on Broadway. The short-sleeved off-white cotton dress (a) falls just above the knee and has a circle skirt with a flounce. The v-neck bodice has bust darts and ends at the natural waistline. The neck opening is outlined with decorative, machine-made, off-white lace that has a central ladder design bordered by flowers. Two (2) rows of this lace continue down the center-front of the bodice to the waist. Red grosgrain ribbon is woven into the middle of the lace. The full, pouf sleeves are elbow-length and have thin elastic strips sewn inside the hem, creating gathered cuffs. Each cuff is bordered with machine-made, off-white lace that has a design of large circles bordered by smaller circles, through which red grosgrain ribbon has been woven. Lace flounces with a floral design are sewn into the hem of each cuff and hang 2 3/4 inches below the sleeve.The skirt is heavily gathered at the waist, creating a very full skirt. A 5 1/2-inch flounce with box pleats is sewn around the hem. Above this flounce is a strip of the same lace as on the bodice, also with red grosgrain ribbon woven through the center of the lace. Above the decorative lace and ribbon are two pin tucks. The dress closes at the center back with five (5) off-white plastic buttons. The bottom button is different than the others, and may be a replacement. A single hook-and-eye closure is placed at the interior center back waistline. The back of the skirt is open with no apparent closure method.The belt (b) is made of a shiny red plastic, and has a square metal buckle faced in the red plastic.

An ensemble featuring a brown felt homburg hat (.1) by Scala and a brown leather jacket (.2) and pants (.3) designed by Dapper Dan for Rakim, and worn by Rakim at the 2006 VH1 Hip Hop Honors event.

A wireless microphone used by Rakim to record the album "The 18th Letter" (1997). The hand-held microphone has a circular silver mesh wire grill covering the foam interior of the microphone. The grill is attached to a black plastic cylindrical handle with text printed in silver type near the attachment reading "SHURE" and "BETA 58A" twice around. The handle is made from two pieces, with a small square digital display screen on the top half of the handle bordered by gray plastic, with "L3 638-698 MHz" printed in white type below it. White type reading "UR2" on two opposing sides is printed at the bottom of the lower half of the handle. A smaller round-edged cylindrical piece of black plastic protudes from the bottom of the handle. The bottom half of the handle (b) screws off to reveal a battery chamber that holds two (2) AA batteries. Opposite the battery chamber is a digital push-button menu with four buttons reading clockwise from top: up-facing arrow, "enter", down-facing arrow, "exit". The button menu is directly below the digital display screen on the exterior of the top half of the handle. Beneath the buttons is a manufacturer's label with serial and model numbers, and a key for the menu buttons.

Alembic Stanley Clarke Standard model electric bass guitar with a body made of polished wood. Front of body has inlaid wood down the middle. Inlaid wood has two (2) wide strips of light wood with two (2) thinner strips of dark wood in the middle. Down the center is a thin strip of light wood between the two (2) darker lines of wood. Center inlay extends the length of the back of the neck. On either side of center inlay on the front body is dark wood with rings and dark growth lines displayed. Additional inlay around the outside edges of the body. Headstock has matching dark wood at front and back. On the lower portion of the front body on the PL side, are four (4) knobs and three (3) switches with an input jack. Bass includes two (2) pickups above the adjustable saddles and bridge. Fret board has inlaid mother of pearl of various sizes at various sections down the center. Headstock has four (4) pegs with strings strung to bass. At the top of the headstock is a metal logo of the manufacturer. Logo includes a cloud at the top with hand reaching down out of the cloud holding the body of a dragon that is shaped in a ring. Within the ring is a stylized alembic.

Four (4) tickets to a Tri-Benefit Performance featuring the Freedom Singers of the Student Non-Violent Coordinating Committee. The concert was held January 31, 1963 at 4:00pm at the Bethesda Baptist Church in New Rochelle, NY. The tickets are printed in black ink on cream paper. The left side of each ticket is perforated so that the left one-third of the ticket could have been torn off when the ticket-holder attended the concert. .1 is ticket No. 188; .2 is ticket No. 937; .3 is ticket No. 1366; .4 is ticket No. 1374.

A costume worn by Cindy Herron of En Vogue for the music video "Giving Him Something He Can Feel" (1992) comprised of a red dress (.1), a bra (.2), a pair of elbow-length black gloves (.3), and a pair of black heels (.4ab).Dress (.1): A red halter neck sleeveless dress with an an ankle-length skirt. The dress is made from a red stretch knit sewn with the dull side of the fabric facing. The front of the bodice is v-shaped and scoops below the bust. There is a sixteen (16) inch slit along the proper right side of the skirt, with the edges of the slit rounded at the hem. The letter "C" is handwritten in black ink on the inside back bodice. The dress is not lined.Bra (.2): A red and black strapless bra with padded cups, black lace wings, and an adjustable back closure with two hooks and three sets of two eyes. The cups are faced in red satin, with an additonal half-circle panel of the red satin sewn around the bottoms and between the cups. The interior of the cups is made black nylon. Clear elastic grip tape is attached at the interior top edge of the wings. The letter "C" is handwritten in white ink or paint on the interior center front gore and in black ink on the interior side of the red satin half-circle panel.Gloves (.3ab): A pair of black elbow-length stretch gloves, both alike. The gloves are seamed along the exterior side and around the fingers, with a separate thumb attached to the gusset. The letter "C" is handwritten in white ink or paint on the interior of each glove near the opening. In the the left glove (a) there is a white manufacturer's tag sewn to the seam near the arm opening with fiber content, size, and place of manufacture printed on it in black ink.Shoes (.4ab): A pair of black satin pumps with a pointed toe. Each toe box has a small oval cutout at the exterior side of the shoe. A small leather bow is stitched to each toe box between the oval cutout and the toe box edge. The sides of each foot are uncovered. At each heel is a small thin leather strap, with a 1 inch strip of elastic at the back center of the strap to grip the heel. The shoes have 3-1/4 inch stiletto heels that are tipped with rubber. On the insole at the heel on both shoes is a white label with black text that reads: "ISAAC / ISAAC MIZRAHI". On the underside of both shoes at the shank are the leather seal and size: "vero/ cuoio/ MADE IN ITALY/ 10/ B".

The "Best Soul Gospel Performance" Grammy award of 1973 was presented to The Dixie Hummingbirds in March 1974 for their song “Loves Me Like a Rock”. The award is a molded bronze colored metal gramophone mounted on a square frustum wooden base. A bronze colored brush metal plaque is adhered to the front face of the frustum reading “NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES / DIXIE HUMMINGBIRDS / BEST SOUL GOSPEL – 1973 / “LOVES ME LIKE A ROCK”. The gramophone is positioned with the elbow on the right and the horn opening to the left. The verso of the gramophone has “© NARAS” stamped into the metal. The elbow of the gramophone has a break and has a prior repair utilizing what appears to be fishing wire and brown tape.