Collections Curator Bryna Freyer tells us the history of the Zande Harp in the African Art Museum Collections.
Smithsonian Artifact Featured in this Video
Harp
View More about Harp
- Label Text
- Artists living in the northeastern forest regions of the Democratic Republic of the Congo have carved several types of harps. This one has traits typical of Zande style: a beautifully carved head with detailed coiffure and earrings, and a carefully stitched animal hide that covers the sound box. Five pegs, separately carved and fitted into the neck, secured and tuned the now-missing strings, which would have been made of bast or hairs from the tail of a giraffe.
- The Zande carve other objects such as bowls and stools, but harps are among their finest artistic achievements. In the 19th century German ethnographer Dr. Georg Schweinfurth described harps used by the Zande and published an engraving of a Zande musician holding a harp with a carved head. These musicians played for the entertainment of groups, reciting details of their travels and experiences as wandering minstrels. Research in the 20th century by Evans-Pritchard describes harps as being the particular favorites of Zande notables.
- Description
- Wood five-stringed harp with an hourglass shaped sound box covered with stitched animal hide and a long, curved neck into which 5 separately carved pegs are inserted. At the top of the neck is a carved head with an elaborate coiffure and earrings.
- Provenance
- K. John Hewett, London
- Entwistle, London
- James Freeman, Kyoto, 1985
- Exhibition History
- Visionary: Viewpoints on Africa's Arts, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 4, 2017-ongoing
- Conversations: African and African American Artworks in Dialogue - From the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr., National Museum of African Art, Smithsonian Institution, November 7, 2014-January 24, 2016
- Published References
- Kreamer, Christine Mullen and Adrienne L. Childs (eds). 2014. Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 235, pl. 129.
- National Museum of African Art. 1999. Selected Works from the Collection of the National Museum of African Art. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 148, no. 107.
- National Museum of African Art. 2007. 2007-2008 School Calendar: Featuring the new Let's Read about Africa and the Sounds of African Music programs. Museum calendar. Washington, D.C.: National Museum of African Art, Smithsonian Institution, September 2007.
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Data Source
- National Museum of African Art
- Maker
- Zande artist
- Date
- Early 20th century
- Credit Line
- Museum purchase
- Medium
- Wood, hide, metal
- Dimensions
- H x W: 90.2 x 22.9 cm (35 1/2 x 9 in.)
- Type
- Sculpture