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Farm Workers' Altar

Object Details

Exhibition Label
Martinez created this altar for the 1968 Catholic Mass held in Delano California, where César Chávez broke the twenty-five-day fast he had undertaken to protest unfair employment practices and unsuitable work conditions for migrant laborers. On one side of the altar, a crucifix bears a brown-skinned Christ; on the other, an indigenous woman holds wheat stalks and grapes that prefigure the bread and wine of Holy Communion. Martinez defined social struggle in Christian terms by combining elements of spirituality and mestizaje, the mixed racial heritage of Mexicans and their Chicano descendants.
Our America: The Latino Presence in American Art, 2013
Data Source
Smithsonian American Art Museum
Artist
Emanuel Martinez, born Denver, CO 1947
Date
1967
Credit Line
Smithsonian American Art Museum, Gift of the International Bank of Commerce in honor of Antonio R. Sanchez, Sr.
Medium
acrylic on mahogany and plywood
Dimensions
38 1/8 x 54 1/2 x 36 in. (96.9 x 138.5 x 91.4 cm.)
Type
Sculpture

Featured In

  • 1967: A Year in the Collections
  • Labor Day
  • Latinx Art and Artists
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