Object Details
- Exhibition Label
- Although labeled an enemy alien by the U.S. government during World War II, Kuniyoshi affirmed his allegiance to his adopted country by contributing propaganda posters to the war effort. But in the early 1950s, the House Committee on Un-American Activities (HUAC) and Senator Joseph McCarthy were investigating citizens they accused of communist sympathies. Kuniyoshi’s disillusionment is apparent in Fakirs. The evil-looking clown who wears a mask and pointed nose trumpets his dominance. Beside him a smaller, sad clown faces the audience/viewer; another, barely visible, peers out from behind a banner.
- Modern American Realism: The Sara Roby Foundation Collection, 2014
- Data Source
- Smithsonian American Art Museum
- Artist
- Yasuo Kuniyoshi, born Okayama, Japan 1889-died New York City 1953
- Date
- 1951
- Credit Line
- Smithsonian American Art Museum, Gift of the Sara Roby Foundation
- Medium
- oil on canvas
- Dimensions
- 50 1/4 x 32 1/4 in. (127.7 x 82.0 cm)
- Type
- Painting
Featured In
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.