Object Details
- Luce Center Label
- “The Sioux, like all the others of these western tribes, are fond of bear's meat, and must have good stores of the ‘bear's-grease’ laid in, to oil their long and glossy locks, as well as the surface of their bodies. And they all like the fine pleasure of a bear hunt, and also a participation in the bear dance, which is given several days in succession, previous to their starting out, and in which they all join in a song to the Bear Spirit; which they think holds somewhere an invisible existence, and must be consulted and conciliated before they can enter upon their excursion with any prospect of success. For this grotesque and amusing scene, one of the chief medicine-men, placed over his body the entire skin of a bear, with a war-eagle's quill on his head, taking the lead in the dance, and looking through the skin which formed a masque that hung over his face.” George Catlin based this painting on sketches he made of the dance near Fort Pierre in 1832. (Catlin, Letters and Notes, vol. 1, no. 30, 1841; reprint 1973)
- Data Source
- Smithsonian American Art Museum
- Artist
- George Catlin, born Wilkes-Barre, PA 1796-died Jersey City, NJ 1872
- Date
- 1835-1837
- Credit Line
- Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr.
- Medium
- oil on canvas
- Dimensions
- 19 5/8 x 27 1/2 in. (49.7 x 70.0 cm)
- Type
- Painting
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.