Skip to main content

Link to Smithsonian homepage

Smithsonian Music

Main menu

  • Calendar
  • Listen
  • Learn
    • Ask Smithsonian
    • Collections Spotlights
    • Music Stories
  • Watch
  • Blog

Buster Keaton

Object Details

Exhibition Label
Film comedian Buster Keaton is both behind the camera and in the spotlight in this image, made by French poster designer Jean-Albert Mercier at a time when Keaton claimed his silent movies actually did a bigger business in Europe than in America. This poster for Keaton's movie The Cameraman attracts attention with brilliant colors and clever geometric stylization of forms. But it also advertises the latest film by incorporating two of the actor's trademarks: the deadpan, expressionless face and a lively chase scene pitting the agile human figure against relentless mechanical forces. The latter is suggested by a circle of sketches expressing speed and motion in a never-ending contest. In Keaton's movies, James Agee wrote in his 1949 appraisal of silent film comics, "it seems that the whole universe is in exquisite flying motion and the one point of repose is [Keaton's] effortless, uninterested face."
Data Source
National Portrait Gallery
Artist
Jean A. Mercier, 1899 - 1995
Sitter
Buster Keaton, 4 Oct 1895 - 1 Feb 1966
Date
c. 1928
Credit Line
National Portrait Gallery, Smithsonian Institution
Medium
Color lithographic poster
Dimensions
Image: 145.9 x 105.9cm (57 7/16 x 41 11/16")
Board: 163.2 x 126.4cm (64 1/4 x 49 3/4")
A to G Depth: To be determined by strainer
Type
Print

Featured In

  • 1928: A Year in the Collections
  • Let's Go to the Movies:Silent Era
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Link to Smithsonian homepage

  • About
  • Terms of Use
  • Privacy
  • YouTube
  • Twitter
Back to Top