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Charles and Lavinia Stratton

Object Details

Collection Description
The Frederick Hill Meserve Collection comprises more than five thousand Civil War-era portrait negatives from the Mathew Brady photography studio in New York City. The collection, which the National Portrait Gallery acquired in 1981, includes portraits of generals, politicians, diplomats, painters, and performers. It also contains depictions of “Human Curiosities” at P. T. Barnum’s American Museum in New York City, that, although highly exploitative, help to document the historical representations of disability in the United States.
La Colección Frederick Hill Meserve contiene más de 5,000 negativos de retratos de la época de la Guerra Civil provenientes del estudio fotográfico de Mathew Brady en la ciudad de Nueva York. Adquirida por la National Portrait Gallery en 1981, la colección incluye retratos de militares, políticos, diplomáticos y artistas. También contiene imágenes de “curiosidades humanas” exhibidas en el American Museum de P.T. Barnum en Nueva York. Estas últimas, a pesar de su índole degradante, nos ayudan a documentar la representación histórica de las personas discapacitadas en EE.UU.
Data Source
National Portrait Gallery
Attribution
Mathew Brady Studio, active 1844 - 1894
Sitter
Charles Sherwood Stratton, 4 Jan 1838 - 15 Jul 1883
Lavinia Warren Stratton, 31 Oct 1841 - 25 Nov 1919
Date
c. 1860-70
Credit Line
National Portrait Gallery, Smithsonian Institution; Frederick Hill Meserve Collection
Medium
Glass plate collodion negative
Dimensions
Plate: 9 × 6.5 × 0.3 cm (3 9/16 × 2 9/16 × 1/8")
Type
Photographic Negative
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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