Data Source

National Portrait Gallery

Exhibition Label

When bestowing the ultimate compliment, Duke Ellington favored the phrase “beyond category”—a superlative that aptly described his own musical achievements. The famed jazz composer, bandleader, pianist, and arranger helped to reshape the contours of American music during a career that spanned half a century. Raised in Washington, D.C., Ellington made his professional debut at seventeen. In the 1920s he became a fixture at Harlem’s celebrated Cotton Club and built a large and diverse following when his orchestra’s performances were relayed nationwide via nightly radio broadcasts. His reputation grew internationally with overseas tours in 1933 and 1939. A prolific composer, Ellington is credited with penning a vast body of work, including the classics “In a Sentimental Mood”(1935) and “Satin Doll” (1958) as well as critically acclaimed concert pieces such as Black, Brown, and Beige (which premiered at Carnegie Hall in 1943) and Harlem (A Tone Parallel to Harlem) in 1950.

Para dar a alguien su mejor elogio, Duke Ellington tenía una frase favorita: “más allá de toda categoría”. Este superlativo describe acertadamente sus propios logros musicales. El afamado compositor, director, pianista y arreglista ayudó a reconfigurar el panorama de la música estadounidense a lo largo de una carrera que abarcó medio siglo. Ellington creció en Washington, D.C., y debutó profesionalmente a los diecisiete años. En la década de 1920 se hizo figura habitual del celebrado Cotton Club de Harlem, y cultivó una fanaticada extensa y diversa gracias a que la música de su orquesta se transmitía por radio cada noche a toda la nación. En el ámbito internacional, su reputación se consolidó con giras en 1933 y 1939. Compositor prolífico, se le atribuye un extenso cuerpo de obras que incluyen clásicos como “In a Sentimental Mood” (1935) y “Satin Doll” (1958), así como piezas de concierto de gran éxito crítico como Black, Brown, and Beige (estrenada en Carnegie Hall en 1943) y Harlem (A Tone Parallel to Harlem) de 1950.

Artist

Herman Leonard, 1923 - 2010

Sitter

Duke Ellington, 29 Apr 1899 - 24 May 1974

Date

1956 (printed 1998)

Credit Line

National Portrait Gallery, Smithsonian Institution

Medium

Selenium-toned gelatin silver print

Dimensions

Image: 40.6 × 32cm (16 × 12 5/8")

Sheet: 50.6 × 40.5cm (19 15/16 × 15 15/16")

Frame: 71.8 × 56.5 × 3.8 cm (28 1/4 × 22 1/4 × 1 1/2")

Type

Photograph

See more items in

National Portrait Gallery Collection

Object number

NPG.2014.111.9

Culture

Duke Ellington: American\African American

Topic

Interior

Music\Musical instrument\Piano

Duke Ellington: Male

Duke Ellington: Performing Arts\Performer\Musician\Composer

Duke Ellington: Performing Arts\Performer\Musician\Pianist

Duke Ellington: Performing Arts\Performer\Musician\Jazz

Duke Ellington: Presidential Medal of Freedom

Portrait

Place

France\Île-de-France\Ville de Paris, Départment de\Paris

Restrictions & Rights

© Herman Leonard Photography LLC