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Object Details

Label Text
In West Africa, cloth is made of wool, cotton or silk, or combinations of these materials. Woven on narrow strip looms, they are then hand or machine-sewn together to create large wrappers, cloths or blankets with patterns dyed or woven into the fabric.
In the exhibition Patterns of Life, curator Peggy Gilfoy describes this extraordinary cloth as having colorful blocks and a dramatic background striping. She continues: "Although the zigzag is the only design between the weft bands, four alternating warp patterns and variations on the zigzag give the cloth a great vitality. The warp pattern with bold red, green, and yellow stripes is known as oyokoman ogya da mu, 'there is fire between the two factions of the Oyoko clan.' It refers to 'the civil war after the death of Osai Tutu between Opoku Ware and the Dako (c. 1730). This (type of) cloth was worn by the King of Ashani' (Rattray 1927, 238)."
Gilfoy, Peggy. 1987. Patterns of Life: West African Strip Weaving Traditions. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 85.
Description
Sillk wrapper composed of sixteen strips with varying warp patterns in geometric blocks of yellow, red, black, green, light blue and white.
Provenance
Venice and Alastair Lamb, England, purchased in Bonwire, Ghana, 1969 to 1985
Exhibition History
Traditional Textiles / Coded Fashion, Experimental Gallery, Smithsonian Institution, Washington, D.C., October 30, 1993-March 25, 1994
Patterns of Life: West African Strip-Weaving Traditions, National Museum of African Art, Smithsonian Institution, Washington, D.C., September 28, 1987-February 29, 1988
Published References
Gilfoy, Peggy. 1987. Patterns of Life: West African Strip Weaving Traditions. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 85, no. 33.
Stockstad, Marilyn and Michael W. Cothren. 2010. Art: A Brief History (4th edition). Upper Saddle River, NJ: Pearson Prentice Hall.
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
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Data Source
National Museum of African Art
Maker
Asante artist
Date
Mid-20th century
Credit Line
National Museum of African Art, National Museum of Natural History, purchased with funds provided by the Smithsonian Collections Acquisition Program, 1983-85, EJ10583
Medium
Silk, synthetic dye
Dimensions
H x W: 209.6 x 130.8 cm (82 1/2 x 51 1/2 in.)
Type
Textile and Fiber Arts
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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