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Object Details

Label Text
The composition and the design of this piece are typical of central and northern Côte d'Ivoire, according to the Lambs. They believe that it was woven by the Senufo, but it might have been woven for the Senufo by the neighboring Jula. Traditionally, the cotton threads for Jula weaving are grown, spun and dyed by the Senufo (Launay 1982, 41). Commercially made yarns, however, are often used today, as in this cloth.
The intense color was achieved by repeatedly dipping the threads in indigo dye, which is used throughout West Africa. The patterns are strictly traditional, going back to models from Bandiagara and North Africa. Unusual, however, is the grouping of complicated patterns in the center of the field. The centering of patterns in a checkerboard composition may be based on Islamic "magic squares."
Gilfoy, Peggy. 1987. Patterns of Life: West African Strip Weaving Traditions. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 61, no. 11.
Description
Wrapper composed of 9 7" strips, 2½ yds. long, with M.T. cotton black and white blocks throughout the light blanket. The central area inlay is in white and black and is a typical layout of design seen in cloths from central and northern Côte d'Ivoire.
Provenance
Venice and Alastair Lamb, England, purchased in Bouake, Côte d'Ivoire, 1972 to 1985
Exhibition History
Patterns of Life: West African Strip-Weaving Traditions, National Museum of African Art, Smithsonian Institution, Washington, D.C., September 28, 1987-February 29, 1988
Published References
Gilfoy, Peggy. 1987. Patterns of Life: West African Strip Weaving Traditions. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 61, no. 11.
Gilfoy, Peggy Stoltz. 1992. "The Eye, the Hand, and the Stripe: North African Designs in West African Strip-Woven Textiles." History, Design, and Craft in West African Strip-Woven Cloth: Papers Presented at a Symposium Organized by the National Museum of African Art, Smithsonian Institution, February 18-19, 1988. Washington, D.C.: National Museum of African Art, Smithsonian Institution, pp. 87, 89, no. 4.
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
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Data Source
National Museum of African Art
Maker
Senufo artist
Date
Before 1972
Credit Line
National Museum of African Art, National Museum of Natural History, purchased with funds provided by the Smithsonian Collections Acquisition Program, 1983-85, EJ10508
Medium
Cotton, indigo dye, synthetic dye
Dimensions
H x W: 243.9 x 153.9 cm (96 x 60 9/16 in.)
Type
Textile and Fiber Arts
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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