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Factory printed cloth

Object Details

Label Text
Factory printed cloths were introduced into Africa from Europe in the nineteenth century. Early fabrics were based on Indonesian batiks copied by the Dutch, thus the common use of the terms Dutch wax prints or veritable Hollandais. Today factory print cloth is manufactured in Europe or Asia for the African market or in an African factory and sold within and outside Africa. Generally identified with bright colors and bold designs, factory print textiles typically assume a local name and symbolic meaning. One reason for the success of factory printed cloth is the widespread practice of dressing alike for special events, such as weddings, funerals, anniversaries and especially for political events. Another is the quantity of cloth needed to make an outfit. Factory printed cloth is typically sold in 6 yard lots to women for a skirt and top, plus a shawl or head tie. Men may wear it as shirts, tunics or full robes and pants. It may also be kept uncut as stored wealth.
The 1920s and 1930s saw the introduction of “Fancy” cloth, i.e., large plain blocks of color with photographic imagery. Popular during colonial times, this technique became particularly important with the independence of African nations in the 1950s and 1960s, and patterns from this era remain important historical documents of an exciting dynamic time in African history. The first President of Senegal Leopold Senghor, (1960-1980) was not only a politician but a poet and intellectual and cultural force.
Description
Fabric panel bears three ovals with likenesses of President of Senegal Leopold Senghor in blue on orange background.
Provenance
Leon Weintraub, collected in Liberia, 1962-1964 to 2013
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
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High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Data Source
National Museum of African Art
Maker
F. W. Grafton
Date
After 1960-1964
Credit Line
Gift of Leon and Nancy Weintraub
Medium
Cotton, dye
Dimensions
H x W: 177.8 × 116.2 cm (70 × 45 3/4 in.)
Type
Textile and Fiber Arts
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International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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