Object Details
- Label Text
- These extremely stylized butterfly necklaces may be a marriage between the basket of flowers motif (seen elsewhere in the gallery) and earlier, more European-inspired butterfly designs. Butterfly designs, used in Senegal from the early 20th century, fell out of favor around 1960 when the independent country’s first president instituted a national art movement that accentuated African character and authenticity, turning away from European influences.
- Description
- Gold-plated silver alloy necklace of a central triangular shaped filigree and openwork pendant, a variation on the basket of flowers design, flanked by four filigree and openwork pendants on the central pendant's proper right and five filigree and openwork pendants on the central pendant's proper left. The central pendant has a central upside down teardrop with undulating filigree, two smaller teardrops at the upper corners, and with the bottom edges of the inverted triangle bearing applied openwork inverted triangle motif. Smaller filigree pendants bear two teardrop shaped motifs filled with undulating filigree and granulation in the center of each teardrop. All pendants are surmounted by leaf or butterfly motifs with tiny rosettes and filigree. Springring clasp.
- Provenance
- Marian Johnson, purchased in Dakar, Senegal, 1963-late 20th century to 2012
- Exhibition History
- Good As Gold: Fashioning Senegalese Women, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 24, 2018-February 2, 2020; North Carolina Museum of Art, Raleigh, September 16, 2020-January 3, 2021
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- Data Source
- National Museum of African Art
- Maker
- Wolof artist
- Date
- 1920s
- Credit Line
- Gift of Dr. Marian Ashby Johnson
- Medium
- Gold-plated silver alloy
- Dimensions
- W x D x L: 5.4 x 0.5 x 46.8 cm (2 1/8 x 3/16 x 18 7/16 in.)
- Type
- Jewelry
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