Object Details
- Series
- Limited Edition Variable 1/20
- Label Text
- The first half of the twentieth century gave rise to widespread experimentation with new media by Africa’s artists. Many of Nigeria’s artists, for example, explored new techniques, including oil painting and printmaking. As elsewhere on the continent, some of these artists received training at local and international art schools, while others were taught in community workshops offered by expatriate artists.
- Modern African artwork addressed a range of subject matter, from political concerns of the day to depictions of a rapidly transforming landscape due to social and environmental changes.
- A major artistic transformation occurred in Oshogbo, a Yoruba town in western Nigeria, in the early 1960s. Expatriates Susanne Wenger, Ulli Beier and Georgina Beier introduced new techniques and materials to Yoruba artists and urged them to find their own forms of expression. The workshops focused on printmaking but were intended to help participants learn to support themselves as artists.
- Tunde Odunlade is a second-generation artist of the Oshogbo school. Like many of his peers, he practices in a diverse set of mediums such as painting, batik, print-making, hand-made paper and fiber work. Though he is most known for his intricate and highly-textured batiks that reflect upon Yoruba traditional adire cloth dying, his print-making, as seen here, reflects similar multi-layered aesthetics of Yoruba art and culture, drawing on modern and traditional daily life in Nigeria.
- This 1992 limited edition work, Moonlight Entertainment, was printed in 2012 and is from the Decades of Printmaking series, hand-picked by the artist over a four decade span of creativity.
- Description
- One of seven (7) hand-colored prints of varying sizes from the artist’s Decades of Printmaking series featuring a central figure seated cross-legged surrounded by other people, with foliage and houses in the background. The overall print is black, with colored textural backgrounds visible in the negative space of the figures.
- Provenance
- Tunde Odunlade, 1992 to 2012
- Michael Imbimbo, San Antonio, 2012
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Data Source
- National Museum of African Art
- Maker
- Tunde Odunlade, born 1954, Nigeria
- Date
- 1992, printed 2012
- Credit Line
- Gift of Michael Imbimbo, Inc.
- Medium
- Linocut on paper
- Dimensions
- Sheet: 59 x 105 cm (23 1/4 x 41 5/16 in.)
- Image: 47 x 91 cm (18 1/2 x 35 13/16 in.)
- Type
