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Cap mask

Object Details

Label Text
Yaka masks are associated with nkanda male circumcision and puberty rituals. Initiation masters and the leaders of the initiates wear this type of mask in choreographed appearances of the male ancestors and culture heroes to promote life, growth and healing and to welcome a new generation of men. The masks contain complex and subtle references to male and female sexuality, the fertility of the earth, and the cycles of the sun and the moon. At the end of the ceremonies, the masks are either destroyed or sold. This mask with its antelope face, differs from the human face with upturned nose more commonly seen in collections. Small antelopes take the role of the trickster in initiation camp teaching stories.
Description
The wood portion of the mask represents an antelope's (gazelle's?) head with two black colored horns rising straight up from either side of the head, two protruding cylinders representing ears, a short, blunt nose with two nostrils indicated, oval shaped eyes carved deeply into red colored sockets, small rectangles representing teeth carved along both sides of the mouth and a handle protruding from underneath the animal's head. The head itself is attached to a central core made of vegetable fiber. Five elongated prongs are placed around this core and in the middle is a cylinder placed on a disc shaped platform. A stick protrudes from the cylinder and a handle is attached at the back. Surrounding the entire mask is a raffia ruff.
Provenance
General Frederik V. Olsen (1877-1962), collected Belgian Congo, before 1930 to 1962
Family collection, 1962 to 2005
Exhibition History
Artful Animals, National Museum of African Art, Smithsonian Institution, Washington, D.C., July 1, 2009-July 25, 2010
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Data Source
National Museum of African Art
Maker
Yaka artist
Date
Early 20th century
Credit Line
Gift of the Fidao family
Medium
Wood, vegetable fiber, raffia cloth, paint
Dimensions
H x W x D: 55 x 35 x 55 cm (21 5/8 x 13 3/4 x 21 5/8 in.)
Type
Mask
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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