Skip to main content

Link to Smithsonian homepage

Smithsonian Music

Main menu

  • Calendar
  • Listen
  • Learn
    • Ask Smithsonian
    • Collections Spotlights
    • Music Stories
  • Watch
  • Blog

Male figure

Object Details

Label Text
The incidence of twin births is extraordinarily high among the Yoruba peoples, but so is infant mortality. Ere ibeji are Yoruba memorials to twins who have died. In 1830, the British explorer Richard Lander encountered mothers carrying carved wooden figures, which he understood were little memorials.
Particularly among the Oyo region Yoruba, twins are believed to be the children of Shango, the god of thunder and lightning. More widely, they are thought to possess supernatural powers and share the same soul. A memorial figure serves as a receptacle for half of the shared soul. They are kept in the family's twin altar or in a gourd container with paraphernalia used in Shango worship.
Although typically created in response to the death of an infant or child, ere ibeji depict adults in the prime of life. Each figure is dressed and adorned according to the gender, social status and religious affiliation of the twin for which it stands. Scarification is depicted, as well as hairstyles.
The mother of a departed twin carries an ere ibeji tucked in her wrapper and treats it as a live infant in the belief that to deny twins is to court their wrath. The sculptures are bathed, rubbed with oil, clothed and adorned. The bodies of these figures have been rubbed with camwood powder, a pigment and a cosmetic and the tops of their heads rubbed with indigo, a sign of wealth. This pair also has carved hats and neck amulets.
Description
Wood standing male figure on circular base, arms at sides, carved hat and triangular neck pendant. Body rubbed with camwood pigment, head with indigo dye.
Provenance
Professor and Mrs. J. Newton Hill, New York, ca. 1964 - ca. 1987
Charlton and Sylvia Williams, Washington, D.C. ca. 1987 -1996
Charlton Williams, Washington, D.C., 1996-2002
Content Statement
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Data Source
National Museum of African Art
Maker
Yoruba artist
Date
Mid-20th century
Credit Line
Bequest of Charlton E. Williams
Medium
Wood, pigment, accumulated material
Dimensions
H x W x D: 28 x 10.2 x 9.2 cm (11 x 4 x 3 5/8 in.)
Type
Figure
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

Link to Smithsonian homepage

  • About
  • Terms of Use
  • Privacy
  • YouTube
  • Twitter
Back to Top