Object Details
- School/Tradition
- Bikaner school
- Description
- The subject stands facing left against a brown background wearing a green turban, orange and white striped pants and a diaphanous jama. His gold patka is long and decorated with floral sprays.
- Marks
- Personal seal of the Maharaja of Bikaner, dated August 19, 1964.
- Inscriptions
- Verso: Inscribed in Nagari script: Muhat Kapur Chand #46, 3598 in blue pencil, no. 52, Khet Singh.
- Verso: Inscribed in Nagari script: Muhat Kapur Chand #46, 3598 in blue pencil, no. 52, Khet Singh.
- Label
- This sensitive portrait of a Rajput nobleman can be attributed to a painter from Bikaner. The naturalistic style, the subject's posture, clothing and attributes, and the intimate scale of the painting are indebted to imperial courtier portraits of the first half of the seventeenth-century.
- Standing and facing left against a chocolate brown ground, the nobleman is splendidly dressed. His green turban, striped churidar pants, woven gold sash (patka) and diaphanous muslin robe (jama) are made from luxury textiles. A warrior in the service of the empire, he rests his right hand on the golden hilt of a katar (punch dagger) and a long sword hangs from his belt.
- The portrait demonstrates an important stage in the development of Rajput portraiture. Rajputs adopted the genre of portraiture from the Mughal court, where they were represented as courtiers. According to Steven Kossak, the style and finish of Bikaner paintings during the reign of Maharaja Karan Singh (r. 1632 - 69), strongly suggests that painters trained in the Mughal atelier joined the Bikaner workshop.[1] The subtlety of expression and finesse of this painting indicate that it was likely made by a painter from the imperial workshop who had shifted to Bikaner.
- Provenance
- To at least 1964
- Maharaja of Bikaner [1]
- From at least 1969 to 1977
- Chhote Bharany, New Delhi and the USA [2]
- From 1977 to 2001
- Ralph Benkaim, Beverly Hills, California, purchased from Chhote Bharany in Los Angeles in October 1977
- From 2001 to 2008
- Catherine Glynn Benkaim, Beverly Hills, California, by inheritance from Ralph Benkaim after his death in 2001
- From 2018
- Arthur M. Sackler Gallery, partial gift and purchase from Catherine Glynn Benkaim
- Notes:
- [1] According to Catherine Glynn Benkaim, 6.14.16, the Raja of Bikaner began selling off his collection in the 1960s. He sold a large group of paintings to Kevin Delahanty, an Englishman, and many paintings to Edwin Binney III (1925 - 1986).
- He also sold paintings to the Delhi-based dealer Chhote Bharany, who deposited a cache of paintings in the United States around 1969 and sold them off over years, as per Gurshuran Sidhu.
- [2] Bharany took all of his paintings out of India before the Emergency (most probably in 1969) and kept them with William Wolff in New York. This painting was likely in the cache of Bharany paintings kept at the William Wolff gallery. According to conversation with Gurshuran Sidhu. Ralph Benkaim purchased the painting from Chhote Bharany in 1977. All of the Benkaim Bharany paintings were purchased in the United States, as per conversation with Catherine Glynn Benkaim between May 23 and 24, 2016.
- Collection
- National Museum of Asian Art Collection
- Previous custodian or owner
- Maharaja of Bikaner (1924-1988, reigned 1950-1977)
- Chhote Bharany (New Dehli, India)
- Ralph and Catherine Benkaim
- Catherine Glynn Benkaim
- Data Source
- Freer Gallery of Art and Arthur M. Sackler Gallery
- Date
- ca. 1650
- Credit Line
- Purchase and partial gift from the Catherine and Ralph Benkaim Collection — funds provided by the Friends of the National Museum of Asian Art
- Medium
- Opaque watercolor and gold on paper
- Dimensions
- H x W (painting): 16.2 × 9.1 cm (6 3/8 × 3 9/16 in)
- H x W (overall): 28.6 × 16.8 cm (11 1/4 × 6 5/8 in)
- Type
- Painting
