Object Details
- Label
- As a retired scholar-official, Sun Kehong spent his leisure painting and cultivating miniature trees and plants. In this work he combined the two pastimes. Cultivating dwarfed trees has been practiced in China since at least the eighth century and was exported to Japan, where the tradition is called “bonsai,” a word that is now part of the English language. Bonsai’s popularity in China soared during a burst of urbanization in the sixteenth century when increasing congestion in cities made miniature plants an ideal way of representing nature in tiny outdoor courtyards. Larger philosophic issues also intrigued sixteenth-century Chinese gentlemen who saw in bonsai an intellectual challenge to reproduce the macrocosmic world on a small scale and capture nature’s infinite forms of energy in a model suitable for everyday contemplation.
- Collection
- National Museum of Asian Art Collection
- Exhibition History
- The Arts of China (November 18, 1990 to September 7, 2014)
- Data Source
- Freer Gallery of Art and Arthur M. Sackler Gallery
- Artist
- Sun Kehong (1532-1610)
- Colophon
- Wu Hufan (1894-1968)
- Date
- probably 1590s
- Period
- Ming dynasty
- Credit Line
- Gift of Karen Y. Wang in memory of her father, Nan-Ping Wong
- Medium
- Ink and color on paper
- Dimensions
- H x W: 53.2 x 45.7 cm (20 15/16 x 18 in)
- Type
- Painting
