Object Details
- Label
- Both the title and the treatment of this figure study recall Whistler's fascination with the linear and sculptural qualities of classical art during the mid-1860's when he was associated with Albert Moore. Whistler met the British artist in 1865. That year, Moore exhibited "The Marble Seat," at the Royal Academy. Whistler's pensive figure suggests that he may have made this drawing after seeing Moore's work.
- Provenance
- To 1905
- Thomas Way Sr. (1827-1915), London, or Thomas Robert Way (1861-1913), London, to 1905 [1]
- From 1905 to 1919
- Charles Lang Freer (1854-1919), purchased from Thomas Way Sr. or Thomas Robert Way in 1905 [2]
- From 1920
- Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
- Notes:
- [1] See Original Whistler List, Drawings, pg. 7, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many Whistler works. Thomas Way Sr. acquired several of these works at the time of Whistler’s bankruptcy, and he passed some of them on to his son (see The Correspondence of James McNeill Whistler, 1855-1903, ed. Margaret F. MacDonald, Patricia de Montfort and Nigel Thorp, On-line Edition, People, biographies of Thomas Way and Thomas Robert Way; http://www.whistler.arts.gla.ac.uk/correspondence).
- Charles Lang Freer acquired many Whistler pieces from the Ways. However, museum records do not always specify whether it was the younger or elder Way who was the source of a particular object. Further, archival sources indicate that the junior Way sometimes acted on behalf of his father: whilst negotiating the sale of his own Whistler works to C.L. Freer, he would concurrently negotiate the sale of some of his father’s Whistler works to Freer. In cases where it is unclear whether it was the junior or senior Way who actually owned a piece acquired by C.L. Freer, the provenance record will simply state that the object was purchased from “Thomas Way Sr. or Thomas Robert Way.”
- [2] See note 1.
- [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Collection
- Freer Gallery of Art Collection
- Exhibition History
- The Lost Symphony: Whistler & the Perfection of Art (January 16 to May 30, 2016)
- James McNeill Whistler at the Freer Gallery of Art—Whistler and the Figure (May 11, 1984 to December 16, 1984)
- Untitled Exhibition, Works of Whistler (September 22, 1947 to April 11, 1955)
- Whistler Pastels and Drawings, Re-arranged and some additions (January 7, 1924 to January 20, 1944)
- American Paintings, Pastels, and Water Colors, and Drawings. J.A.McN. Whistler (May 2, 1923 to January 7, 1924)
- Previous custodian or owner
- Charles Lang Freer (1854-1919)
- Data Source
- Freer Gallery of Art and Arthur M. Sackler Gallery
- Artist
- James McNeill Whistler (1834-1903)
- Date
- 1865
- Credit Line
- Gift of Charles Lang Freer
- Medium
- Black and white crayon on brown paper
- Dimensions
- H x W: 26.2 x 18.5 cm (10 5/16 x 7 5/16 in)
- Type
- Drawing
